Though I swear everytime that it will be the last, we made yet another WIT film set in an office. This time we tried to transpose the classic 'Feed the Children' spots of the 80's to a corporate wasteland with its sad sea of cubicles and awkward interpersonal moments. Topher always manages to get the exact reaction needed for any given shot, so picking which takes to use when editing wasn't so difficult. Catherine's host was exactly what we were looking for. And talk about commitment- those are real tears in her final shot, folks.